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This paper deals mainly with the technical aspects of defining the artist; and it is, at least to start with, committed to the practical interest of identifying artists as a professional group for empirical social science research.

The present study charts the early stages of the system and its subsequent development from 1972 onwards as well as related financial issues using data from the 2000s.

One of the objectives of this study was to study Sámi artists’ status and activities in state arts administration, as well as the channelling of state arts support to the Sámi arts sector.

The study at hand has two purposes: First, to examine architecture’s share of the arts support system in the 2000s, and secondly to evaluate the status of architects in present building trade and the possible changes in it.

The purpose of the register is to distribute Taike’s press releases.

Higher education institutions were strongly represented in the first call for applications for projects within the Creative and Cultural Innovation Expertise ESF+ theme, and many smaller actors were left without funding. Smaller actors should definitely apply for funding in the next round, but at the same time it is important to invest even more in collaboration, writes Sofia-Charlotta Kakko.

Data protection policy for Taike’s contact register Gruppo.

Data protection policy for Webropol survey tool.

Appropriations from the state budget to the Arts Promotion Centre Finland (Taike) have been cut by a total of 1.3 million euros for 2024. When deciding on the distribution of appropriations, Taike has evaluated the situation in different fields of the arts and forms of support based on changes to the number of applications and an overall assessment of the need for state support.

The change has been made in order to harmonise the application periods for special subsidies and clarify application practices.

The goal of Taike’s development programmes is to promote the status and working conditions of artists and to enhance the impact of art in society. These goals are implemented in projects in which Taike’s regional artists, special advisors and art experts play a central role.